On Art and the Sublime
Monday, October 15, 2012
Saturday, October 6, 2012
Friday, October 5, 2012
Temppeliaukio Church, Helsinki
Designed by architects and brothers Timo and Tuomo Suomalainen unveiled in 1969.
The Rock Church aptly named after well being literally dugged out from a rock. What amazing design! Panelled sunlight rotates around the hall throughout the day. This church was built in the 60s as evidenced by the 60s aesthetics oozing from every corner. The new concept in design and worship (a small and humble cross and altar) subsequently inspired many churches around the world to model after it. A must for achiteture aficiandos.
Thursday, October 4, 2012
Buddha Vairocana from Tang dynasty, 700-800, Metropolitan Museum, New York, Sculpture.
Taken at The Metropolitan Museum
What a fantastic specimen. I used to think that chinese buddhist art is inferior to the nepalese and tibetan... until i learnt tibetan appropriated many styles from China.
Wednesday, October 3, 2012
Donatello, Mary Magdalene,1453-1455, White poplar wood, Museo dell'Opera del Duomo in Florence, Italy, Sculpture, Renaissance.
Taken at Museo dell'Opera del Duomo. Sculpture made of White popolar wood presumingly for the Baptistery in Flroence.
Tuesday, October 2, 2012
Monday, October 1, 2012
Siena
I had a realisation of the sublime during my trip to Siena. This scene simply captivated me. Totally unexpected. I do not know what Siena is about. I walked up along a hill totally unaware of what to expect and suddenly this view appeared before my eye. The timing couldn't be more perfect; shadowy dusk with all the shades of brown. It was quiet with no tourists. I came to realise how important the perfect moment is. Also beauty is even more so when untainted by expectation.
Sunday, September 30, 2012
Alvaro Pirez d'Evora, 1410-1434, The Resurrected Christ, Museum of Fine Arts, Budapest, Early Renaissance.
Look at the the Patina. One of the picture of christ that appeals to me. Taken at Musuem of fine arts, Budapest.
Saturday, September 29, 2012
Duccio (attributed) 1255-1315, The Coronation of the Virgin
The way the paint is peeling off makes the piece even more beautiful i think. Also looks like Virgin mary is tearing doesnt it? Taken at Museum of Fine Arts, Budapest.
Friday, September 28, 2012
Vaszary Janos, Golgota, 1930s
Again a powerful modern interpretation! And I like how all the colours blends in so well. Taken at Hungarian National Gallery.
Vaszary Janos, Raising of Lazarus, 1912
Taken at Hungarian National Gallery. This is definitely my favourite modern art piece on a religious theme. Modern art seldom depicts religious theme in manner that fascinates me. This certainly does.
Thursday, March 29, 2012
Tuesday, March 27, 2012
Jars and Lemon is one of my favourite in Tate Britain's Picasso exhibition. Interestingly Xray revealed that underneath this painting was a study for Les Demoiselles d'Avignon. In 1911 it was sold for 4 pounds. Picasso was often ridiculed when he first started out. His work was once described as 'a piece of paper on which Mr Picasso has had the misfortune to upset the ink and tried to dry it with his boots.'
Saturday, March 3, 2012
Saturday, February 25, 2012
Wednesday, February 22, 2012
Sunday, February 5, 2012
Kaws: toys as art?
Saturday, February 4, 2012
Friday, February 3, 2012
Thursday, February 2, 2012
Wednesday, February 1, 2012
Tuesday, January 31, 2012
Monday, January 30, 2012
Sunday, January 29, 2012
Saturday, January 28, 2012
Yayoi Kusama Fruits!
Friday, January 27, 2012
Da Vinci's Lady with an Ermine
Lady with an Ermine, 1489-90
Saw this mesmerizing painting at National Gallery's 'Painter of the Milan court' exhibition. The lady is identified as Cecilia Gallerani, the wife of the duke of Milan, who commissioned the painting. In the arms of Cecilia is a small white-coated Stoat known as an ermine and it steeped with multifarious meanings. The ermine traditionally symbolizes purity because of the belief that the ermine would rather face capture by hunters than take refuge in a dirty lair in order not to stain its purity. It could also refer to the Duke's position in the Order of the Ermine. The animal could also be a ferret, indicative of Gallerani's prenancy at the time. Regardless of the symbolism, the addition of the ermine in this composition adds an intriguing dimension to an already alluring piece.
Saw this mesmerizing painting at National Gallery's 'Painter of the Milan court' exhibition. The lady is identified as Cecilia Gallerani, the wife of the duke of Milan, who commissioned the painting. In the arms of Cecilia is a small white-coated Stoat known as an ermine and it steeped with multifarious meanings. The ermine traditionally symbolizes purity because of the belief that the ermine would rather face capture by hunters than take refuge in a dirty lair in order not to stain its purity. It could also refer to the Duke's position in the Order of the Ermine. The animal could also be a ferret, indicative of Gallerani's prenancy at the time. Regardless of the symbolism, the addition of the ermine in this composition adds an intriguing dimension to an already alluring piece.
Thursday, January 26, 2012
Rembrandt and lighting
Wednesday, January 25, 2012
Jackson Pollock: Action Painting
Wednesday, January 18, 2012
Monday, January 16, 2012
Bosch: The garden of Earthly pleasures
Sunday, January 15, 2012
Saturday, January 14, 2012
Gunther Uecker flowing nails
Thursday, January 12, 2012
Georges De la Tour: Realism not naturalism
Saint Sebastian Tended by St. Irene. c. 1634-1643
Saw a picture of Georges de la tour on the front of a book and brought back memories. The artist paint mainly religious themes. From his chiaroscuro techniques of sharp constrasts of light and shade, Georges de la tour is a follower of the great Carravagio. As a practicetioner of realism, de la tour used real life people and settings to paint but avoided naturalism with his colouring technqiues that did not mimick the exacting reality of nature as viewed from the eyes.
Saw a picture of Georges de la tour on the front of a book and brought back memories. The artist paint mainly religious themes. From his chiaroscuro techniques of sharp constrasts of light and shade, Georges de la tour is a follower of the great Carravagio. As a practicetioner of realism, de la tour used real life people and settings to paint but avoided naturalism with his colouring technqiues that did not mimick the exacting reality of nature as viewed from the eyes.
Wednesday, January 11, 2012
Rene Magritte painting papercuts
Tuesday, January 10, 2012
Max Ernst, the third founder of Surrealism
Monday, January 9, 2012
Dali's dreamscapes
Two Adolescents 1954
Is this going to be a sexual encounter? The sitted boy's pose is suggestive. Is he slightly aroused with his penis stiring or is he idolising the other's body? Perhaps he cannot imagine the face of an encounter in full detail as is often the case when we are thinking about somebody.
Is this going to be a sexual encounter? The sitted boy's pose is suggestive. Is he slightly aroused with his penis stiring or is he idolising the other's body? Perhaps he cannot imagine the face of an encounter in full detail as is often the case when we are thinking about somebody.
Sunday, January 8, 2012
Giorgio de Chirico, The father of surrealism
Saturday, January 7, 2012
Rene Magritte's early cubist style painting
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