Would be Martyr and 72 Virgins
On Art and the Sublime
Tuesday, January 31, 2012
Monday, January 30, 2012
Sunday, January 29, 2012
Saturday, January 28, 2012
Yayoi Kusama Fruits!
Friday, January 27, 2012
Da Vinci's Lady with an Ermine
Lady with an Ermine, 1489-90
Saw this mesmerizing painting at National Gallery's 'Painter of the Milan court' exhibition. The lady is identified as Cecilia Gallerani, the wife of the duke of Milan, who commissioned the painting. In the arms of Cecilia is a small white-coated Stoat known as an ermine and it steeped with multifarious meanings. The ermine traditionally symbolizes purity because of the belief that the ermine would rather face capture by hunters than take refuge in a dirty lair in order not to stain its purity. It could also refer to the Duke's position in the Order of the Ermine. The animal could also be a ferret, indicative of Gallerani's prenancy at the time. Regardless of the symbolism, the addition of the ermine in this composition adds an intriguing dimension to an already alluring piece.
Saw this mesmerizing painting at National Gallery's 'Painter of the Milan court' exhibition. The lady is identified as Cecilia Gallerani, the wife of the duke of Milan, who commissioned the painting. In the arms of Cecilia is a small white-coated Stoat known as an ermine and it steeped with multifarious meanings. The ermine traditionally symbolizes purity because of the belief that the ermine would rather face capture by hunters than take refuge in a dirty lair in order not to stain its purity. It could also refer to the Duke's position in the Order of the Ermine. The animal could also be a ferret, indicative of Gallerani's prenancy at the time. Regardless of the symbolism, the addition of the ermine in this composition adds an intriguing dimension to an already alluring piece.
Thursday, January 26, 2012
Rembrandt and lighting
Wednesday, January 25, 2012
Jackson Pollock: Action Painting
Wednesday, January 18, 2012
Monday, January 16, 2012
Bosch: The garden of Earthly pleasures
Sunday, January 15, 2012
Saturday, January 14, 2012
Gunther Uecker flowing nails
Thursday, January 12, 2012
Georges De la Tour: Realism not naturalism
Saint Sebastian Tended by St. Irene. c. 1634-1643
Saw a picture of Georges de la tour on the front of a book and brought back memories. The artist paint mainly religious themes. From his chiaroscuro techniques of sharp constrasts of light and shade, Georges de la tour is a follower of the great Carravagio. As a practicetioner of realism, de la tour used real life people and settings to paint but avoided naturalism with his colouring technqiues that did not mimick the exacting reality of nature as viewed from the eyes.
Saw a picture of Georges de la tour on the front of a book and brought back memories. The artist paint mainly religious themes. From his chiaroscuro techniques of sharp constrasts of light and shade, Georges de la tour is a follower of the great Carravagio. As a practicetioner of realism, de la tour used real life people and settings to paint but avoided naturalism with his colouring technqiues that did not mimick the exacting reality of nature as viewed from the eyes.
Wednesday, January 11, 2012
Rene Magritte painting papercuts
Tuesday, January 10, 2012
Max Ernst, the third founder of Surrealism
Monday, January 9, 2012
Dali's dreamscapes
Two Adolescents 1954
Is this going to be a sexual encounter? The sitted boy's pose is suggestive. Is he slightly aroused with his penis stiring or is he idolising the other's body? Perhaps he cannot imagine the face of an encounter in full detail as is often the case when we are thinking about somebody.
Is this going to be a sexual encounter? The sitted boy's pose is suggestive. Is he slightly aroused with his penis stiring or is he idolising the other's body? Perhaps he cannot imagine the face of an encounter in full detail as is often the case when we are thinking about somebody.
Sunday, January 8, 2012
Giorgio de Chirico, The father of surrealism
Saturday, January 7, 2012
Rene Magritte's early cubist style painting
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